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Silhouette of man on peak with stars

One Poem in Five Parts
by Daniel Corrie

Destiny

… the glory of the human has become the desolation
of the Earth, and now the desolation of the Earth
is becoming the destiny of the human.
                                                   – David R. Loy
 

i.

Carried by the future’s night,
stars will drift from constellations

beyond eyes that saw heroes and charmed animals
crossing and recrossing a sky.

Captured in the prophecies of yellow ink,
a wandering star would still

into a pentacle of a card foretelling futures.

Down through a deck’s stack, pentacles descend.

Wands, cups, swords, arcana descend.

One card’s face is buried
under another card’s face buried

deeper through the layers.

Mountains had reared, strata’s layers

buckling, continent butting into continent.

Haunting hidden strata,
stones are afterimages of animals fallen.

Interred through heavings, shards’ effigies
of lives would shift in burial.

Struck by sunlight, ground buries ground’s
surfaces sinking farther from light.

Again the horizon will shuffle
the vision of time’s sky to change

from one sun showering sunlight

into suns scattering through night.

Shuffled, laid down, picked up and shuffled,

arcana sink and surface. Card into card

ascending through a deck, each card will be

the floor of cards’ order rising

into a future rising.

 

ii.

The sudden surge of starless night

had opened as all being’s single bloom.

Now’s edge of evanescence
passed through time’s long coma.

Galaxies’ spirals gleamed through darkness.

The ancient surge of stars and night
opens as all being’s single bloom.

Depths belched bubbles’ stalks,

fumeroles boiling. Bacterial billows
drifted up through sun-speared fathoms.

Smeared on lapping’s shallow rocks,
washed in sunlight, blind slime greened

to thrive from sunlight.

There would be millennia
of the sun’s path, its analemmas

tracing light’s migrant arcs through sky.

There would be growth rings expanding,

trees falling to wreckage of petrified trunks
like temples’ toppled columns.

There would be the aftermaths of boulders

carried and abandoned
by glaciers’ vanished ice.

There would be sand forming to rock,

rock weathering away into sand.

There would be the tracks of deer
left behind in sand,

to be lost in rain and wind.

There would be the taloned track
of tyrannosaurus left in mud

for searching eyes to find in rock.

Where life at last emerged
from time’s dark wellspring,

minds would come to know night sky’s

slash of stars to be a turning wheel
that had carried gas clouds and dust

drifting to shape into a world.

Risen from sea to study stars,

minds would come to know
how wandering starlight would begin

to cross the wheel’s width, to continue
more than one hundred thousand years

traversing the bright diameter.

Born from savannas to study stars,

minds would come to know the wheel
had turned a quarter turn from the time

of tyrannosaurus following its hunger.

From sun’s arc of glare, snow vanishes to rivers,
rivers ghosting up into clouds blown floating

over a highway’s gray river, asphalt river

pouring into asphalt rivers, scoring continents.

Life washed into sunlight. Across surf’s rocks,
primal slime had sensed sun’s warmth

of light brightening across its green, presaging

antlers’ sunstruck rush

into the time of stalking’s arrow aimed,
into the time of the rifle aimed—

into the time of shoulders’ feel
of sunlight’s warmth.

Dawn had been a goddess, reddening sky.
Sun had been a god’s chariot, crossing sky.

Like toys purloined from astral dreams,
orreries’ brass planets had circled.

On a stage, Prospero’s magic summoned rain,

wind lashing sea and snapping masts.

Above sea’s crash, beside cliff’s precipice,

the Fool strode through a card’s picture.

The bright cards fall. Bright birds fly

clearing to air’s transparency.

From stars’ origins, a pentacle would glare
risen as zenith’s gong of sun.

From eons’ unkept noctuaries—

from sunlight crossing unseen waves—

from time’s emergence,

a world changer emerged.

Sun’s temperate eye would shimmer
into famine’s torrid stare.

One world had followed its orbit.

One world would follow its orbit.

The bright spirals had revolved in darkness

into dead distances. Into the dead distances,

the bright spirals would revolve in darkness.

 

iii.

In a trance of cards, a card followed a card.

Hypnopompic dreams dreamed themselves.

A card followed a card, foretelling.
Sortilege after sortilege, the seasons fell.

Out from wandering time, an ape wandered.

A self approached, hearing itself whisper

through trees’ leaves, to hear water
like words beginning to slur

from a current where a face warped.

Cards murmured their story of ripples

mirroring up into a face gazing down.

A half-ape gazed at its face in water

to reach a hand toward the other’s face.

From prophecies soughing
through savannas’ swaying grasses,

a crouched scavenger rose, to hunt.

Hands emerged, billion after billion,

to shuffle seasons. An animal rose,

unbridling the brawn of seasons.

To sow the rain, to reap the flood—

To sow the drought, to reap the famine—

To sow the wind, to reap the whirlwind,

hurricanes rose human-summoned,

walls of wind’s curve rushing past

scouring to scatter cards’ images

of the Lovers, the Chariot, Fortune’s Wheel,

 Hierophant, Magician, Devil, Fool,

Hanged Man, Justice, Death, the Tower,

the Star, the Sun, the World.

Through the stilling in storm’s eye,
like leaves through air, cards drift down.

The card portraying two naked lovers
falls to earth, this time to warn

You must not destroy your world

You must not destroy your world

You must not destroy your world

In a trance of cards, a card followed a card.

Hypnagogic dreams dreamed themselves.

 

iv.

A seedling would rise, greening
to a rampike’s brittle branches.

A seedling self would presage

a rampike self.

Into late beginning, selfhood began

whispering to itself—

You must not destroy your world

Eyes lift to the absence of stars,

outshone, buried in nights’ sky
beyond the swarming glow

of manufactured lights sifting up

as the dome of nights’ eclipsing aura.

Glass buildings’ lights mirror over
the passing of windshields’ glass.

You must not destroy your world

Glowing under constellations,

bioluminescent waves
have risen and fallen through nights.

Beyond the risen into the fallen
into the risen into the fallen,

the laws have stood. The laws stand,

acidic waves passing over
the rubble of bleached reefs,

storms twisting over seawalls,

waves of wildfire washing through forests.

The laws stand, ruled over
by the sun’s indifferent passing.

You must not destroy your world

says the seedling self—

says the rampike self—

To follow a destiny of deer

too abundant for their forest,

starving into die-off—

To follow the destiny of pigeons’

numbers darkening the sky,

to be shredded from the sky—

To be born into a destiny

of being one among a species

creating its human world and time—

shredding its world and time—

You must not destroy your world

says the seedling self—

says the rampike self—

The course of the evaporated river
of the vast past poured

through moments’ passing presence.

In the morning of a half-ape,
the morning mist of the mind hovers.

Late in time, a half-ape looked down
and reached toward its face in water.

In self-destruction’s mirror, the self

might come to see itself.

Through a time when futures feel shattered,
to ask a day how a day might matter—

Sunlight passes over earth, oblivious of seeds,

says the seedling self—

says the rampike self—

From the many generations’ germinations,

the seeds of the I of the meant human

might split open, to stem, to root
in the harm of the world.

Seeds of the self-found self might lodge:

small, discovered telos
to lodge among starfields’

oblivious sprawl of night.

To learn to give more

than what is taken—

You must not destroy your world

From lifeless oceans, susurrus tides

roiled over a later shore, to wash

as wind’s tides through canopies

of mountains’ slopes of trees.

Leaves would stir into a murmuring.

Leaves breathe their soughing

of time’s long wake of being—

of time’s long spell of being—

A breeze would breathe into a feeling—

aeolian breath of anamnesis.

Under the violent, nurturing sun,

leaves open in eyes’ seeing, to green

into meaning’s feeling.

A great gift was crafted
by oblivious eons, obliviously offered.

Mind was time’s long-crafted gift
finally given—obliviously entrusted.

From portents and prefigurements
is the crowning

of leaves risen, leafing into being

into a meaning-haunted world,

says the seedling self—

says the rampike self—

To live in temperate sunlight

falling brightly into meaning—

Morning mist melts into unclouding.

To hold the cup of being

under the sigil of the sun—

You must not destroy your world

Shuffled cards blur. The futures reorder,

changing into changing

as the self begins to say.

  

v.

When the cathedral’s grand dome

dwindles to the skull’s dome
of the mere mind,

what is it to pray?

What are blessings
when they’re only feelings

stirred from time and earth?

May the blessings of time and earth
go with us.

May the blessings go with us

as we pass through time and as earth brings us
to know time and the earth

and to know ourselves.

Glancing might pause
to hold purity, looking

where the plain pine stands.

How old are you, truly, beautiful bird,
as you fly to me

out from the eons?

Together we found our way from there,
out from all of time’s

sun and ocean, shore and rain
beneath the sky of passing, reshaping clouds.

Birds’ vocables clear

through someone pausing to hear.

I feel how I live in light falling
from my sky’s sun

as my one star is swept among spirals’
galaxy after galaxy, discus after discus

flung through black voids
by no hand’s aim.

The unremembered, subterranean
strata rose into strata,

palimpsest rising layer into layer.

An ape is a man’s pentimento

there to be glimpsed, recognized,
in the layers of the self.

We must not destroy our world,

prays the self.

We must not destroy our world
because its fruit is beauty,

prays the self.

We would keep
the ancient, intricate world

that gave itself to us

and gave us to ourselves,

prays the self.

Mind of a species glinted
swimming toward wakening

in hypnopompic ascent.

On the cusp of all
of great time’s past and future,

the self would cobble
its redoubt of selfhood

at its decades’ borders.

May we learn to recognize
the images of oughtness

when spread before us like cards’ faces

telling of now and tomorrows.

May we love the world
branching from oblivion

to offer bright fruit

of love lived out in noticing.

Through our swift lives,
may what we choose to do and not do

be a power,

be a legacy
cast like a discus beyond ourselves.

May that power be our bond of living
we will cast beyond us

to give a future—

a good future given.

It might be a good

like that of a gaze cast up
to stars’ grand randomness,

as stars were cast to pass
through a mind seeing patterns

of charmed animals and heroes circling.

A time came when time changed
so that stars, unseen, would diminish

in no longer seeming grand hints
of shapes telling stars’ stories

of fabled animals and heroes.

Knowing the sky, to walk
under the overarching sky

as though to walk

beneath a towering good—

Life washed into sunlight. Life washed
from time onto time’s shore.

In a strange tale, a miracle of eyes
looked up to blind stars.

Blind stars were seen
passing through night’s sky

to gleam into pentacles on cards.

Like fireflies blinking
through a summer night,

selves would emerge into their desire

to brighten through meaning’s selfhood.

In one augury, searchers appear.

They might follow a future
into a fable of reaching a shore

where the annals of Aprils
would be illumined

by sunlight’s clemency falling,

days falling like cards

becoming destiny’s found days—

becoming destiny’s meant days—

 

 

 

Daniel CorrieDaniel Corrie’s poems have appeared in The American Scholar, Denver Quarterly, Hudson Review, Image, Kenyon Review, Missouri Review, Shenandoah, Southern Review, Southwest Review, Terrain.org, and Virginia Quarterly Review. He and his wife live on their Georgia farm.
 
Read other long poems by Daniel Corrie also published in Terrain.org: “Longleaf, Laniakea”, “Swimming at Night”, “Words of Time, Book of Fire”, and “The Ancient Surge of Stars and Night Opens as All Being’s Single Bloom”. And read William Wright’s review of Words, World and For the Future.
 
Original header image by Sergey Nivens, courtesy Shutterstock. Photo of Daniel Corrie by Ellen Corrie.

  1. This piece is magnificent in its breadth and acute in its focus. A macro-micro vision in its showing and its telling. Reading it, I first thought of Whitman’s grand perspective and yet, and yet, the scoping into the specific details of universal creation and this constant state of revision and reformation was most powerful.

    I was particularly impressed with the layering, the shuffling and re-shuffling of Corrie’s Tarot metaphor, the vision and revision of stars in the grand swaths of the universe and here the layering especially when he uses words that send me to the dictionary to look up. “The unremembered, subterranean strata rose into strata, palimpsest rising layer into layer./ A ape is man’s pentimento/ there to be glimpsed, recognized, in the layers of the self.”

    This line (once I understood his word choice and vocabulary) is so beautifully crafted, the image becomes an echo of itself, a pattern of repetition that is executed beautifully throughout the poem. The repetition and contrasts are powerful.
    This poem brings it all together into a beautifully constructed admonition to us, a warning “to recognize the images of oughtness.” Both admonition and hope in his last two lines. Thank Terrain and Dan Corrie for sharing.

    This is really an exceptional piece. I particularly like the layering and your superb focus on the specific as well as how you play the Tarot connection, an apt metaphor for sure.

  2. After I, as this poem’s author, posted the link to this poem on my Facebook page, my friend Simon Paul Augustine responded with sharing his close and thoughtful reading of “Destiny”. I responded to him by sharing with him some of what I had in mind as I wrote “Destiny”. After doing so, I thought those remarks might be worth posting here on *Terrain.org* for anyone who might have interest in what I had in mind as I worked on this poem. Following is most of my response to Simon:

    A thing that interests me that I sometimes consciously explore in poems is a notion of “slow poetry”. Most poems we see published are a page or two long. Obviously, we have a literary treasury of dead and living poets’ short poems that demonstrates how fabulous short poems can be. However, I think we all would agree that the current pace of life can make mindfulness a challenge. So “Destiny” is not only a long poem but is one meant to invite the reader to slow down into a somewhat extended meditative rhythm. I spent several years, off and on, in imagining and writing this poem, which I like to think offers readers entrance into a distilled, extended field of thought and meditation.

    In “Destiny”, I think of Section i. as a sort of counterpart to the opening of epic poems from Homer to Milton, in expressing what lies ahead in the poem – Milton presenting *Paradise Lost* as being intended to “justify the ways of God to men.” In the case of “Destiny”, Section i. presents deep time literally building upward in the rise of Earth’s layers of geological strata that mark time’s long passage toward what finally has emerged into the sudden time of human consciousness, imagination and potential forethought. This human sentience is indicated/symbolized in Section i. and beyond by the human creation of Tarot cards and the imagination’s perceptions of scattered stars as storied constellations.

    I think of Section ii. as a sort of counterpart to Genesis, but this creation story is of science – based on the accumulation of empirical evidence. Matthew Dowd, a recently deceased green priest, remarked, “Evidence is the new scripture.” My poem’s origin story is evolutionary/ecological, based on understood realities that world religions only could speculate and mythologize about prior to the scientific age. In writing Section ii., I had an idea of its hopefully feeling like a sort of symphonic overture carrying along the story of what E. O. Wilson described as “the epic of evolution” and what has come to be called the “big history” of how long the cosmos was a self-ignorant expanse before, at least on one small planet, there would be the living potential for awareness finding itself. William Shatner emotionally experienced cosmic reality when he took a brief ride on Blue Origin. Instead of stepping from Blue Origin as the jaunty Captain Kirk returning from trekking through an entertainingly inhabited universe, Shatner was overcome with grief talking about how everything beyond Earth was dead. I read an NPR story about this with space philosopher Frank White tying Shatner’s reaction to what White has called “the overview effect” that he says often is experienced in various ways by astronauts. The article quotes Shatner: “I wept for the Earth because I realized it’s dying. I dedicated my book, *Boldly Go*, to my great-grandchild, who’s 3 now — coming 3 — and in the dedication, say it’s them, those youngsters, who are going to reap what we have sown in terms of the destruction of the Earth.” Among the scientifically/ecologically thoughtful of us in our time, this grand, oblivious emergence through deep time is our Zeitgeist’s foundation. I’d been working on this poem for a long while before Shatner’s brief rocket ride, but something like his reaction was what I wanted to set up in Section ii. of “Destiny”. I wanted its somewhat extended length to feel like some dreamy counterpart of deep time’s long, unconscious unfolding that finally, rather recently allowed for our own species’ evolutionary emergence.

    The long unfolding of time expressed in Section ii. is followed by the whiplash of deep time’s evolution shifting to our 21st century moment, presented in Section iii. as a Tarot-trance vision of our sudden time of our species’ destructive domination of our planet.

    From there, Section iv. and Section v. follow, essentially searching to respond to the ancient question from Ezekiel, “How then shall we live?” – how we must learn individually and collectively to go about self-evolving and culturally-evolving for enough of us to become mindfully heedful and for enough of us to demand that our leaders will be mindfully heedful. Mindfully heedful of what? Mindfully heedful of how natural laws are the boundaries of our time’s long-evolved beauty, as well as being the boundaries of our survival and continued collective/cultural flourishing.

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