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Under Tropical Light: The Parking Garages of Miami Beach

Prose by Claudia Kousoulas + Photography by George Kousoulas

 
Any skyscraper

bulges in the looseness of morning
but in twilight becomes
unutterably crisp
    — E. E. Cummings

 
Parking garages are among the most unloved and unobserved structures in architecture. They keep our environments functioning and our lives moving, but we don’t expect them to deliver joy or enlightenment. In Miami Beach, however, architects have used light to highlight space, surface, and movement in these utilitarian spaces, creating the very best kind of architecture—functional and ennobling.

New World Symphony parking garage in Miami Beach
The New World Symphony parking garage in Miami Beach, designed by Frank Gehry.
Photo by George Kousoulas.

Light and color are distinctive elements of the Miami Beach image, generated from nature and interpreted by artists and popular culture. As Steen Eiler Rasmussen notes in Experiencing Architecture, “We use the colors we are accustomed to see around us.” In Miami, the changeable blue ocean really does reflect a rosy pink while greens move from deep clear emerald tones to silvery grays. The tropical light can overtake and absorb even the most garish colors. Throughout the day, the sky itself changes from pearly morning to punishing midday to the beautiful bruises of sunset.

In these garages, for which the city has become known, architects have engaged with the very form and function of the structures, wielding light as a building material—manipulating its color and character to define space and create an experience that responds to the beach’s unique strata. There is hardly a more dead mass than a parking garage, but animated under tropical light, mass becomes driven energy.

 

1111 Lincoln Road
Designed by Herzog & DeMeuron

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Purdy Avenue Garage
Designed by Arquitectonica

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Park@420
Designed by Ten Arquitectos

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New World Symphony Garage
Designed by Gehry Partners, LLP

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Claudia Kousoulas is a freelance writer and an urban planner with the Montgomery County Planning Department in Maryland, where she blogs on The Straight Line. She is the co-author of Contemporary Architecture in Washington, D.C. (Wiley, 1995).

George Kousoulas is a principal at BLOCK53, where he brings his experience to the development of high-quality projects in prime urban locations. The recently completed Lincoln East, a BLOCK53 project, was featured in The Wall Street Journal as one of Miami Beach’s pace-setting parking and retail projects. Other projects include new properties for Vintro Hotels and condominiums on Key Biscayne.