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David Hunter Sutherland
Gaussian Space
Nothing estranges a river more
Than its split out to sea.
The undercurrent roars
Past steelhead and salmon,
Past shorelines of kelp and
Seabrush, through city and
Town to a time, still
As a constellation's rim through
Space. And air tangible to touch
Moves forest into ocean as
All movement becomes mass. The
Gaussian space of assumed bodies,
The rhizome between layers
Of spirit and mind, present and past.
And we are pied by a moon to its
Shiny lure at bottom. Take flight
In the migration of form to symbol,
Life to state. Hold nature
Distributed like stars
In the palm of our face.
Laughter of the Loon
To be certain that our dual nature
of experience is
no less mutable than a fern's
reflection off a lake, or
a sunfish purporting magnitude
with glimmer in shoal.
One can easily believe a snowfall
or rolling mist is muted
under thunderous sky and
that nature aided with spells
hides half its ecstasy, half its pain.
A subject of lucid reality
personifies wisdom for an owl's
brass cooing, hypnotized
by its ritual marriage to
field mouse and engaged
in as sweet a horror as this
dimunitive sense of self
left staring at midnight,
amoral, untamed.
The Colored Earth
First sprout of white asparagus
And Falls's teakwood is a sublime
Miracle formed from the voweled opulence
Of a contessa's strut, or blown to a regatta's
Silver train of thunderous masts, thunder
Under the youthful juniper of brush and
Foliage as Winter is next to wrap its ivory knife,
Darken the grain in blood and swear
All paths will meet at the heart. But for an
Instant, let the colored earth
Of plush lilies and throats hang from
Intractable tongues, beat the ground
For a last meal, a last wheel at the machine
Working its greenery. To what chaste does
Silence make pure? Damn the setting void
Who knows, tomorrow may be as sweet.
David Hunter Sutherland is the managing editor of the online journal Recursive Angel. His recent work has appeared in The American Literary Review, The Hollins Critic, The Northern Michigan Journal, The Reader (Oxford University), The Cortland Review, and The Midwest Quarterly. |
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