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Beauty and Peril Suzanne Frischkorn reviews Bloom, poems by Simmons B. Buntin The natural world and family braid together in Bloom, Simmons B. Buntin’s second poetry collection released by Salmon Poetry. Here, Buntin’s contemplative poems of place—focusing on the Borderlands of Arizona and Sonora, Mexico, yet also as far off as the Israeli desert, Sweden, and Hiroshima, Japan—are placed alongside beautiful lyrics about his family, most often his daughters. While broad in its thematic settings, Bloom is divided into three intense sections—Shine, Flare, and Inflorescence—each of which features lines as lush and lyrical as they are exact. Buntin writes layered, evocative poems. The world captured in Bloom is vulnerable in surprising ways. “Shine,” the opening poem of the first section, begins by depicting the ultraviolet shine of the exoskeletons of scorpions:
The deft turn at the poem’s center, however, brings the reader to another view of shine:
The redemptive quality normally associated with light, reflected by shine, immolates on itself. “Shine” is a dark poem, despite its title, and it sets the pace for a collection that twines beauty with peril. The poems ends:
Buntin closes this first section with one of my favorite poems from the collection: “Arc.” This poem not only delights the ear, but also the eye with its exquisite precision. The tension found in the scene and the poem’s brisk pace—it is written in one long sentence—is suspenseful. The reader is completely disarmed by the close where the poem opens up like a desert sky must seem to open on a starry night. Here’s the full poem:
The second section, Flare, is arranged with a sharp focus on the plants and animals that inhabit the Borderlands, revealing what the speaker finds sacred in the natural history of the desert. For example, in “Antler among Poppies” he writes:
Inflorescence, the final section, is a long, numberered poem—a masterful cycle of poems—on a daughter’s surgery and recovery after a harrowing accident, alternated with the gradual rebirth of the yard’s agave. This breathtaking cycle opens with a simile that’s turned inside out:
Buntin’s turns are surprising throughout the cycle, and his skill at surprising the reader ultimately creates a powerful and haunting poem. Bloom is a compelling collection on the risks and rewards of immersing oneself in the natural world, its beauties and its dangers, as well as a grand testament of a father’s love.
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