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From Here to There Todd Ziebarth reviews The View From There by Nan Leslie
One of the book’s strengths is Leslie’s ability to clearly and quickly paint through the written word a world that intrigues the reader. While the writing is clear, the action in the story, and the motives behind it, are sometimes less clear—which is another one of the strengths of the book. Leslie doesn’t provide you with the story’s details in a linear way, but prefers to share key aspects of a character throughout the story in more of a non-linear way. Her approach creates room for the reader to play with differing interpretations of some of her stories. For the most part, the subject matter in the stories is fairly weighty. In this regard, Leslie shows an impressive range in the characters she creates. There is Marilina, the increasingly panicked mother who is falling further and further away from her teenage daughter. There is Pearl, the young black girl pushing the boundaries of her South Georgia world in large and small ways. And there is Howell, the machine shop worker who retires and isolates himself in his house to paint. These aren’t trivial matters. To her credit, Leslie treats them seriously, without sentimentalizing the characters or their experiences. To me, The View From There is, on the whole, about movement. The characters in many of the stories are faced with serious situations and must make tough choices with uncertain consequences. In their actions, they move from one place to the next—from here to there. While not always pleasant, the view from there often reveals life in a more honest and humbling way. For that, the choice is worth it. Read "Ring" and "Roman Temples," stories in The View From There originally appearing in Terrain.org.
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