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Letter to America by Derek Sheffield

One Poem

Abortion Wish

Wherever you are, whomever,
I would you were never
begun, Half-brother. Not for anything
you did, but for how she
was done when you began.

Autumn’s leaves clawing
the gravel drive he walked out on, that boy-
father after she told him
about it, about you. Nothing for her to do
but let her father pay the fare

to a charity in Portland
where she lived with other fucked girls
from other single-schooled towns.
There they studied for the life
a G.E.D. would bring,

learning to lower their eyes
as the lives inside them grew.
The night you were triggered I would void
so she never had to be that
alone: legs pressed wide

in a room full of gloves and masks
as she heaved you out
in sheet-twisting pain. With you
undone, no baby to not be touched
when a nurse held you to the glass

(she thought it a kindness)
while our mother—still in bed, still
bleeding at the rip, dried fig
of a smile on her beautiful girl face—
took in your ruddy cheeks, dark hair,

your shut eyes, the little features
she would come back to all her life,
what she went looking for
when nothing seemed to be looking for her.
Maybe a doctor or actor. How rich

or handsome by now? She never knew,
for you, like all the faces
when she went home, turned away.
Didn’t you know, Brother? You were the one
who carried her happiness.

 

 

 

Derek SheffieldDerek Sheffield would like to thank his mother who shared with him her joy in language by singing and saying rhymes and poems to him all his life, who nurtured in him a fierce kinship with the wilder beings of our world, be they furred, feathered, leafed, finned, or eight-legged, and who gave this poem her blessing. Catch up with him at dereksheffield.com.

Editor’s Note: This poem appears in Derek Sheffield’s book, Not for Luck. It is reprinted with permission of the poet.

Read more poetry by Derek Sheffield appearing in Terrain.org: “Report from America Auténtico,” a Letter to America poem translated into Spanish by Rhina P. Espaillat, two poems, and one poem.

Header photo by sippakorn yamkasikorn, courtesy Pixabay.

  1. It’s a gripping poem, and one too well understood by women of my generation. (We are boomers, age 75.) Two of my childhood best friends got sent to those homes in Portland, OR. When I telephoned one there, to visit, and asked for her, I was instructed that they did not use last names. The other told me that when the girls went into labor, they were put in a taxi and sent to the hospital alone. She, a teenager herself, took to accompanying others to the hospital.

    1. Thank you for sharing this. My mother is also 75, so we are talking about the same awful time. She tells me that the girls from families with money were able to travel for abortion care.

  2. Thanks Derek, that’s a heavier one from your pen than usual, haunting and a sign of our times.

  3. What a wise, generous, empathetic, and profound poem this is! The close reminds me of the haunting last two lines of a Sara Teasdale poem that has been with me since the first reading:” …for what we never have, remains: it is the things we have that go.” And how merciful and intelligent the first lines of this poem are, with their cruel burden of futile lifelong regret! Thank you for sharing this painful truth.

    1. Rhina, I found that poem. Reading it brings Roethke to mind. I can’t remember any mention of a direct influence, but he must have read and admired Teasdale. I know he adored Bogan…It may be that Teasdale found him through Bogan’s work…? In any case, her poem makes me think of his “Vernal Sentiment” and this line from “The Waking”: “What falls away is always. And is near.”

  4. Read the poem first and then listen to the words of Derek Sheffield in the audio to make it even more real, powerful and raw.

  5. must be your boldest poem
    —wrenching and wrenched

    Stunned to witness all
    those muscled moves

    As a dad who stood by four
    (then was humbled when l watched
    her mentor two daughters
    and be honored to hold
    the lives they delivered

    1. Thank you, Mike. That’s high praise coming from one of Roethke’s students.

  6. Every time I hear/read this poem, new haunting and beauty emerges. A poem that each and every American needs. Thank you, Derek for using your talent to share her story.

  7. Your voice is wide open, torrid and rock-ribbed in this one, Derek. Even more powerful than the first time I heard you read it in Tieton.

  8. Rhina, I found that poem. Reading it brings Roethke to mind. I can’t remember any mention of a direct influence, but he must have read and admired Teasdale. I know he adored Bogan…It may be that Teasdale found him through Bogan’s work…? In any case, her poem makes me think of his “Vernal Sentiment” and this line from “The Waking”: “What falls away is always. And is near.”

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