Self Portrait with Fish and Water
In the world underwater, in that world beyond this world
near the cattails where bass patrol their spawning beds, early
summer light clings to the turquoise sides of pumpkinseed sunfish,
so named because of the shape their bodies take, not the coloration
of their ctenoid scales, tangerine stippling that stony blue, giving way
to a yellow that seeps to the base of the pelvic fin, an aquatic
canvas as if painted by that artist who cut away his own ear
out of love, leaving a blackened hole the sounds of his joyous
screams rushed into, a coal-dark flap like the one at the side
of this fish’s face who shows me that the world is always receding,
fleeing the shape of my shadow as I walk these banks.
Grievous
And these deer at my bramble gate: so close
here, we touch our own kind in each other.
— Tu Fu (712-770)
Near the railroad tracks poachers
have stacked the bodies of seven
headless deer, stuffed sacks
of flesh to waste. Someone has dumped
a horse head, too. I can’t imagine
why, or what was done with a body
of such heft. Hair stripped, the hum
of bluebottle flies pervades the rotting
air. I note the lips are lost as well
to bacteria and beetles that crave the flesh.
Large teeth protrude like a piano’s
keyboard, bringing back the song I sang
this past spring while planting the corn
and squash I knew the deer would eat.
Canticle for Native Brook Trout
Now we are all sitting here strangely
On top of the sunlight.
— James Wright, “A Winter Daybreak above Vence”
Fishing the narrow stream
of light, we follow a seam
between hemlock and sweating
rhododendron, tulip poplar
and white oak that grow
more than a hundred feet
in the air. The small fish
that have been here for thousands
of years lay in on the flat rock
that lines the streambed,
or hide beneath the shelves
where water pours over
fallen trees. They are nearly
invisible, backs colored
like the stone in the pool
where they were born
and where they will die
after giving birth to their own.
The drift of our flies
tempts them, and through
the glass surface we see
their jaws part, predatory
surge ending with a struggle
to be freed from the end
of our lines. Their lives
depend upon the coldness
of water, upon our desire
to touch their bodies,
to marvel at the skin
along their spines: the tan
worm-shaped ovals,
the smallest red circles,
the splash of yellow
and orange that washes
around their bellies
as we release them
and they swim
from our grasp
back into a sliver
of sunlight.
Header photo by Todd Davis.